Hommage à Frescobaldi

I. Prélude au Kyrie - II. Offertoire - III. Elévation - IV. Communion - V. Fantaisie - VI. Antienne - VII. Thème et variations - VIII. Epilogue pour pédale solo

Published by Bornemann (France) in 1952.

Also available on the website sheetmusicplus.com.

ERRORS CORRECTED in the PRINTED SCORE

II - OFFERTOIRE -

p.4, last measure: r.h., beat 3, add natural to D (precaution)

p.6, mes. 5: l.h., beat 2, G is #, not natural

III - ELEVATION - p. 7, mes.11: l.h. chord ties to mes. 12, as mes. 14 to 15 and 15 to 16.

p.8, mes. 12: left hand, beat 1 should be e natural-a.

IV - COMMUNION - p.12, m.8 and 9: pedal, D#-A#, right foot, should be played one octave higher // p.12, m.12: registration should be - nazard (sign - is lacking) // p.12, mes. 13: right hand on the Great // p.12, m.16: the flat belongs to B, tied to the preceding

B flat

V - FANTAISIE - all time legato, nothing staccato except when it is indicated, p. 17

p.14, mes.1-2: play on Swell, box closing at mes.2 // p.14, last measure: right hand,3rd beat, add natural to e

p.16, mes. 3: last chord time value is wrong; should be dotted eighth tied to quarter. // p.16, mes.8, Rall. // p.16, last measure of the page: the sign Rall should be situated on the next page, 2nd beat of measure 1.

p.17, 16: the 3 first chords should be "portato"

VII - THEME ET VARIATIons - The piece has to be played legato, except when it is indicated staccato.

p.22, mes.2, beat 1, soprano, the B is flat, not natural

p.24, mes. 14 and 16, it is easier to invert the hands, begin with the right, then the left on beat 3 and the last triplet on the left.

p.26, mes. 18, 2nd beat, soprano, the G is a eighth, not a quarter.

EPILOGUE

p.27, mes. 10, a rest is lacking on the D natural beat 3. // p.27, mes. 14 and 15, the last eighth should be staccato // p.27, mes. 16, 3rd beat, the G should be natural.

p.28, mes. 1, beat 3, the fourth sixteen should be a B natural //p.28, mes. 15: on beat 3, the second sixteen should be natural

p.29, mes. 13: tirs sixteen is a B natural and the G has to be flat.

p.30, mes. 3: add a fermata on the rest in both feet.