Progression

Cinq Pièces pour orgue

1. Monodie - Duo - Larmes (Trio) - Offering - Fugue et continuo

Published by Bornemann in 1979.

ERRORS CORRECTED IN THE PUBLISHED SCORE

1 - MONODIE

p.3, bar 3, right hand, the last A is natural // p.3, bar 5, right hand, the 4th note, A, is natural.

2 - DUO

p.8, 2nd bar, both hands, the rhythm is sixteen note-eight note-eight note // p.8, bar 23 (last bar),right hand, legato sign on the last Gs, like before.

p.9, bar 3, left hand, third note A natural // p.9, bar 18, G clef right hand // p.9, bar 28, right hand, both F# staccato, like bar 10.

p.10, bar 2, both hands, second B is natural// p.10, bar 7, left hand, the F is # // p.10, bar 9, right hand, 3rd note, C, is natural // p.10, bar 10, right hand, the 5th note, C, is natural // p.10, bar 11, left hand, 5th note, C, is natural and 9th note is a A flat, not a B flat //

p.10, bar 16, the fermata should be on the G#, not on the C // p.10, bar 25, right hand, second G is natural.

3 - LARMES (trio)

p.11, bar 3-4, pedal, the F are tied // p.11, bar 4, left hand, E flat staccato // p.11, bar 11, eight notes staccato // p.11, bar 14, pedal, F tied with previous bar // p.11, bar 25, left hand, A flat.

p.12, bar 8, the 2 A are tied // p.12, bar 10, left hand, D whole note natural // bar 11, right hand, E natural.

p.13, bar 8, right hand, the B is natural // p.13, bar 19, right hand, E natural.

p.15, bar 5 : - flûtes 4,2

p.16, bar 3, right hand, first beat, B flat, D natural.

OFFERING

p.17, bar 9, right hand, 2nd chord C natural E //p. 17, bar 13, left hand, the last chord is in a sixteen note, not an eight note // p?17, bar 14, right hand, sixteen notes, not eight notes // p.17, 3rd bar, pedal, F#-C#, like before and after.

p.18, bar 8-9, the G soprano right hand is tied // p.18, bar 11, the tied sigh is lacking at the beginning of the bar on bass, tenors and alto parts // p.18, bar 16, G clef, not F clef, left hand // p.18, bar 19, a sixteen rest is lacking at the end of the bar, left hand // p.18, bars 19-20, chords detached on both hands, same bar 21 for the right hand.

p.19, bar 1, Left hand, the chord is tied with the previous one // p.19, bar 2, right hand, chord is C-G#-B natural // p.19, bar 7, left hand, G clef at the end of the bar //p.19, bar 9, pedal, chord E natural-B natural // p.19, bar 10, right hand, second chord C-E natural // p.19, bar 12, right hand, chord is E-A natural-D natural // p.19, bar 19, alto, 2nd eight note is C natural // p.19, bar 22, left hand, 3rd eight note is D natural.

p.20, bar 2, left hand, the D is natural // p.20, bar 6, right hand, Irst chord, the C is natural // p.20, bar 8, left hand, the D, 2nd beat, is natural // p.20, bar 9, right hand, the fourth sixteen note B is natural// p.20, bar 10, left hand, the first E is natural // p.20, bar 12, left hand, the G is natural.

p.21, bar 1-2, bass and tenor are tied, like pedal // p.21, bar 2, right hand, alto 6th sixteen note G, not A // p.21 bar 4, right hand, chord D-E flat-G, not D flat- E-G // p.21 bar 14, right hand, chord is C-G#-B natural // p.21 , bar 19, E natural // p.21, right hand is on the Swell.

5 - FUGUE ET CONTINUO

p.22, Allegro, Quarter note=80 // p.22, bar 3, right hand, all notes detached // p.22, bar 7, left hand, E flat, right hand, alto, E natural, right hand // p.22, bar 11, right hand soprano B natural // p.22, bars 12-13, right hand, a line is missing on the musical stave for 10 chords : A-C, B flat-D, C-E, etc.

p.23, bar 1, right hand, a note is missing on the third sixteen note; it should be B-E and note E alone, like on the first beat //p.23, yes.4, right hand, last B is natural // p.23, bar 6, left hand, the eight notes D and C are natural // p;23, bar 12, left hand chord A natural-C natural-D flat-F, and right hand, G and F natural // p.23, bar 15, pedal, first C is natural.

p.24, bar 2, pedal, first F is natural // p.24, bars 4-5, the legato signe has to be put on the middle note of the chord and not on the soprano // p.24, bar 15, pedal, the first E is natural.

p.25, bar 9, G# half note left hand is tied with the same bar 8.

p.27, bar 4, pedal, second sixteen note is B natural // p.27, bar 9, pedal, 2nd beat, A natural // p.27, bar 10 right hand, first beat G natural.

p.28, bar 4 and 5, eight rest lacking on the alto part, second part of the 1rst beat // p.28, bar 5, Only F and Ab tied with the following bar // p.28, bar 8, 6th sixteen note right hand C# and not C natural // p.28, bar 10, chord left hand is C#-E-F#-B natural // p.28, left hand, bar 11, chord is C flat-E flat- F natural-B flat // p.28, bar 1, pedal, 1rst note, G# has to be staccato.