Incantation pour un jour Saint

Published by "Les Editions Musicales de la Schola Cantorum" in 1954 in the collection "Orgue et Liturgie n°1, "Pâques", then published again in 1980 by the same publisher, solo and also in a volume along with "Dominica in palmis" (p. 2 to 7)

CORRECTED ERRORS in "Incantation pour un jour Saint" . For the errors in "Dominica in palms" see further, in 1964.

p.2, or 27 in the volume "Pâques", mes.1,3,5, the octaves, right and left hands, are portato, like the pedal mes.2, 4, 6.// p.2, mes. 2, soprano, first beat, chord values are whole note - half note - whole note, as they should be mes. 4. // p.2, mes. 10, the 3 chords, left hand, are portato.

p.3, mes. 9, the indication GPR Anches is wrong, no reeds there, only G.P.R. Delete slurs before playing on the Great and breathe here.m // p.4, mes. 2, right hand, the first a is a quarter note, not a eighth note, like in the 3 following measures // p.4, mes. 2, last chord left hand is c#-e#, like in the 3 following measures. // p.4, mes. 10, pedal, beat 2, add # to C // p.4, mes 10, right hand, beat 3, a natural, not #. // p.4, mes. 10, the value of the c# chord, for all parts, is dotted quarter notes everywhere, with a fermata, and an eight rest at the end of the mes. // p.4, last measure, left hand, beat 4, add leger line below chord to make printed notes e-g.

p.5, mes. 13, last beat, soprano right hand, the g is natural, like in the 3 previous mes. // p.5., mes. 15-16, soprano D is tied with soprano E flat.

p.6,, mes.3, 2nd beat, 3rd chord right hand not dotted. // p.6, mes. 7, the sixteenth are a#-b#-c#, not b natural // p.6, mes. 12, the first B, first chord left hand, is a B natural (chord Ab-B natural-D-G natural) // p.6, mes. 13, left hand , first beat, off the first B and replace it by the following 4 sixteenths: B-C#-B-A# then B half note // p.7, mes. 14-15, big breath before the last D chord.